2010 The Year We Make Contact (1984) Review

Science fiction enthusiasts often find themselves drawn to sequels of iconic films, hoping for a continuation that honors the original while bringing something new to the table. "2010 The Year We Make Contact," directed by Peter Hyams, is one such sequel that follows in the footsteps of Stanley Kubrick's "2001: A Space Odyssey." Released in 1984, this film attempts to answer some of the lingering questions left by its predecessor, while also crafting its own narrative in the realm of space exploration and human curiosity.

Plot Summary

Set nine years after the events of "2001: A Space Odyssey," "2010 The Year We Make Contact" follows Dr. Heywood Floyd, played by Roy Scheider, as he joins a joint American-Soviet mission to Jupiter. Their goal is to investigate the mysterious monolith that orbits the planet and to discover what happened to the Discovery One spaceship. While political tensions on Earth threaten to derail the mission, the crew must navigate their own interpersonal dynamics and the unknown threats lurking in space. The film balances the intrigue of its central mysteries with the ticking clock of interstellar and international tensions.

Performances

Roy Scheider takes on the lead role of Dr. Heywood Floyd with a grounded performance that anchors the film's exploration of space and human nature. Scheider brings a sense of authority and vulnerability, making Floyd a relatable figure amid the cosmic uncertainties. John Lithgow adds depth with his portrayal of Walter Curnow, the engineer tasked with reviving the Discovery One. Lithgow's natural charisma and ability to convey both technical expertise and personal fear provide a human element to the high-stakes journey.

Helen Mirren, as the Soviet team leader Tanya Kirbuk, offers a nuanced performance that transcends any potential Cold War caricatures. Her character's interactions with Scheider's Floyd highlight the film's themes of cooperation and mutual understanding. Bob Balaban, playing Dr. R. Chandra, the creator of the HAL 9000 computer, also delivers a strong performance. His character's relationship with HAL, and the broader implications of artificial intelligence, adds an intriguing layer to the narrative.

Direction and Craft

Peter Hyams had the daunting task of following in Kubrick's footsteps, and he approaches "2010" with a style that both respects the original film and establishes its own identity. Hyams opts for a more straightforward narrative, which allows the film to focus on character development and the unfolding mystery. His direction emphasizes clarity and pacing, making the complex storylines accessible to a broader audience.

Visually, the film benefits from the advancements in special effects of the early 1980s. While not as impressive as Kubrick's work, the visuals are effective and enhance the sense of otherworldly wonder. The scenes of the Jupiter system are particularly striking, capturing the vastness and beauty of space.

The musical score, composed by David Shire, adds to the film's atmosphere, though it lacks the iconic status of the original's classical soundtrack. Shire's work is competent and fitting, providing the necessary emotional cues without overshadowing the on-screen action.

Collector's Verdict

For collectors, "2010 The Year We Make Contact" represents an intriguing piece of science fiction history. It's a film that builds on the legacy of "2001: A Space Odyssey" while carving out its own place in the genre. While it may not reach the same heights as its predecessor, it remains a worthwhile watch for fans of space narratives and Cold War-era films.

The best format to own this film is the Blu-ray edition, which offers a commendable presentation of the movie's visuals and sound. The Blu-ray release includes features that provide additional insights into the film's production and the challenges of creating a sequel to such a renowned original. Despite being an uncommon find in some markets, it's a valuable addition to a sci-fi enthusiast's collection.

In conclusion, "2010 The Year We Make Contact" is a film that appeals to those interested in the broader narrative of space exploration and human collaboration. It may not offer the same philosophical depth or visual innovation as "2001," but it delivers a satisfying continuation of the story, driven by strong performances and a clear directorial vision.