Review: Almost Human (1974)

When it comes to Eurocrime films from the 1970s, "Almost Human" directed by Umberto Lenzi holds a special place in the hearts of genre enthusiasts. Known in Italy as "Milano Odia: La Polizia Non Può Sparare," this 1974 gem delivers a raw and unflinching look at the underbelly of Italian crime. It's a film that shocks and entertains, often in equal measure, and remains a strong piece of cinema that resonates with collectors of gritty crime tales.

Plot Summary

At the heart of "Almost Human" is the story of Giulio Sacchi, a small-time crook with big ambitions and no moral compass. The film follows his descent into more violent and desperate acts, culminating in a kidnapping that spirals out of control. Sacchi's journey is one of chaos and brutality, as he seeks to make a name for himself in the criminal underworld of Milan. The narrative is straightforward but engaging, capturing the viewer's attention with its relentless pace and unpredictable turns.

Performances

Tomas Milian delivers a standout performance as Giulio Sacchi. His portrayal of a man consumed by greed and violence is both chilling and engaging. Milian brings a raw intensity to the role, making Sacchi a character that is as fascinating as he is repulsive. His ability to portray Sacchi's volatility and unpredictability is a reflection to his skill as an actor.

Henry Silva, playing the determined Inspector Grandi, provides a strong counterbalance to Milian's character. Silva's portrayal of the relentless lawman adds depth to the narrative, creating a palpable tension between the two characters. The supporting cast, including Laura Belli and Anita Strindberg, also contribute effectively, adding layers to the film's gritty world.

Direction and Craft

Umberto Lenzi's direction is sharp and uncompromising. Known for his work in the Eurocrime genre, Lenzi infuses "Almost Human" with a sense of urgency and realism that keeps the viewer engaged from start to finish. The film's gritty aesthetic is enhanced by its effective use of location, capturing the bustling, often chaotic atmosphere of Milan in the 1970s.

The cinematography by Federico Zanni deserves a mention for its ability to convey both the beauty and brutality of the urban landscape. The film's score, composed by Ennio Morricone, adds another layer of tension and drama. Morricone's music is evocative, perfectly underscoring the film's mood and enhancing its impact.

Collector's Verdict

For collectors, "Almost Human" is a quintessential addition to any Eurocrime collection. Its gripping story and intense performances make it a worthwhile find. The best format to own this film is undoubtedly Blu-ray. The recent restorations available offer a crisp and clean transfer that does justice to Zanni's cinematography and Morricone's score. While it's not the rarest title out there, it's uncommon enough that finding a good edition can be a rewarding experience.

In terms of availability, the film has been released in various formats over the years, but not all versions are created equal. Look for editions that feature restored visuals and enhanced audio to truly appreciate the film's craft.

"Almost Human" is a film that captures the essence of 1970s Eurocrime—raw, intense, and not for the faint-hearted. Its unique blend of action, drama, and suspense makes it a standout in any collector's library.

Overall, this film is a must-have for fans of the genre and those looking to explore the darker side of Italian cinema. With a gripping narrative and powerful performances, it remains a strong watch that has not lost its edge over the years.

Star Rating: 4.0 out of 5