Review: Coming Home (1978)

In the pantheon of Vietnam War films, "Coming Home" stands out not for its depiction of combat, but for its focus on the emotional and psychological battles waged by those who return home. Released in 1978, this film echoes the sentiments and struggles of a generation grappling with the fallout of a controversial war. The film's exploration of love, loss, and reconciliation resonates with a quiet intensity, making it a poignant artifact of its time.

Plot Summary

Set against the backdrop of the late 1960s, "Coming Home" follows the story of Sally Hyde, played by Jane Fonda, whose husband Bob, portrayed by Bruce Dern, is deployed to Vietnam. As Bob goes off to war, Sally finds herself volunteering at a local VA hospital. There, she meets Luke Martin, a paraplegic veteran played by Jon Voight, whose disillusionment with the war mirrors the shifting national perspective. The film artfully examines the evolving relationship between Sally and Luke, set against the broader societal changes occurring during the era.

Performances

The performances in "Coming Home" are nothing short of powerful. Jane Fonda delivers a nuanced portrayal of Sally Hyde, capturing the emotional turmoil of a woman torn between loyalty to her husband and newfound love. Her performance is both subtle and strong, offering a window into the internal conflict faced by many during this turbulent period.

Jon Voight's portrayal of Luke Martin is equally impressive. Voight brings a raw vulnerability to the role, effectively conveying the despair and anger of a soldier left broken by the war. His chemistry with Fonda is palpable, adding an emotional depth to the film that elevates it beyond mere drama.

Bruce Dern, although in a supporting role, brings complexity to Bob Hyde. His depiction of a soldier struggling with his own demons adds another layer to the film, illustrating the multifaceted impact of war on individuals and families. The trio's performances come together to create a gripping narrative that keeps viewers invested from start to finish.

Direction and Craft

Hal Ashby, known for his ability to weave together poignant stories with a humanistic touch, directs "Coming Home" with a sensitivity that suits its subject matter. The film's pacing allows characters to breathe and develop, giving weight to their interactions and decisions. Ashby’s direction ensures that the film remains focused on the personal rather than the political, a choice that underscores the intimate nature of the story.

The cinematography by Haskell Wexler is notable for its understated elegance. His use of natural lighting and careful framing adds authenticity to the film, drawing viewers into the world of the characters. The choice to shoot in actual VA hospitals contributes to the film's realism, grounding the narrative in a tangible reality.

Moreover, the soundtrack, featuring songs from the era, complements the film's themes and enhances its emotional impact. Tracks from artists like The Rolling Stones and The Beatles not only set the tone but also serve as a reminder of the cultural shifts happening alongside the personal stories being told.

Collector's Verdict

For collectors, "Coming Home" is a valuable addition due to its historical significance and the strength of its performances. The Blu-ray format is highly recommended for its superior picture and sound quality, which do justice to the film’s careful craftsmanship. While not an exceedingly rare find, the film is somewhat uncommon, making it a worthwhile pursuit for those interested in films of the era or in Vietnam War narratives.

Overall, "Coming Home" is more than just a product of its time; it's a thoughtful examination of the human spirit in the face of adversity. Its place in film history is well-earned, and owning a copy allows viewers to experience its emotional depth whenever they choose.

Star Rating: 4.0 out of 5