Review: Good Morning (1959)

Yasujiro Ozu's "Good Morning" is a delightful slice-of-life film that captures the quaint yet complex workings of a suburban neighborhood in post-war Japan. Released in 1959, this film is a subtle exploration of communication, or the lack thereof, in everyday life. Known for his restrained storytelling and unique framing, Ozu presents a comedy filled with warmth and charm, offering a gentle yet insightful look at social conventions and familial bonds.

Plot Summary

"Good Morning" tells the story of a small suburban community where the simple act of buying a television set becomes a catalyst for larger social commentary. The plot revolves around two young brothers who yearn for a TV of their own. In an attempt to persuade their parents, they embark on a comical vow of silence. This leads to a series of misunderstandings among the adults, highlighting the absurdities of polite, yet often meaningless, social niceties. The film is a heartwarming portrayal of childhood innocence and the everyday lives of ordinary people, wrapped up in Ozu's signature style of storytelling.

Performances

The performances in "Good Morning" are understated yet strong, with each actor bringing an authentic touch to their roles. The child actors, Masahiko Shimazu and Koji Shidara, who play the two brothers, are particularly charming. Their earnest portrayal of youthful rebellion is both humorous and touching. The adults, including Chishu Ryu and Kuniko Miyake, deliver performances that capture the everyday subtleties of adult life. Ryu, a frequent collaborator with Ozu, once again excels in his role, bringing a quiet dignity to his character. The ensemble cast effectively conveys the film's themes of communication and social interaction, making the neighborhood feel alive and relatable.

Direction and Craft

Yasujiro Ozu is renowned for his distinct directorial style, and "Good Morning" is no exception. His use of low camera angles, static shots, and meticulous composition creates a sense of intimacy and immersion. The film’s pacing is gentle, allowing viewers to fully absorb the nuances of the characters' interactions. Ozu’s careful attention to detail is evident in every frame, from the arrangement of household items to the rhythm of daily life. The screenplay, co-written by Ozu and Kogo Noda, is witty and insightful, providing a humorous critique of societal norms. The vibrant color palette is a departure from Ozu's earlier black-and-white films, adding a fresh visual layer that complements the film’s lighthearted tone.

Collector's Verdict

For collectors, "Good Morning" is a gem that showcases the charm of Ozu's filmmaking. The best format to own is the Criterion Collection Blu-ray, which offers a pristine transfer and a wealth of extras that provide context and depth to the film. This edition includes a commentary track, interviews, and an essay that enrich the viewing experience. It's a common release, making it easily accessible for collectors who appreciate high-quality presentations of classic films. Ozu’s work, with its universal themes and classic appeal, is a valuable addition to any collection.

Overall, "Good Morning" is a delightful exploration of social interaction, filled with warmth and subtle humor. Ozu's ability to capture the nuances of everyday life is unparalleled, making this film a must-watch for fans of classic Japanese cinema. Whether you're a longtime admirer of Ozu or new to his work, "Good Morning" offers a gentle yet insightful look at the quirks of human communication and the innocence of childhood.

4.5 stars out of 5.