Ill Met by Moonlight (1957) Review

When you think of British war films from the 1950s, the emphasis is often on grand battles or intense dramas. However, Ill Met by Moonlight, directed by Michael Powell and Emeric Pressburger, offers a unique perspective that stands out. It’s a film that captures the daring and cunning of a small group of men in a true story of wartime espionage. For collectors, it's a title that carries both historical weight and visual intrigue.

Plot Summary

Set during World War II, Ill Met by Moonlight recounts the true story of Patrick Leigh Fermor and his cohorts who orchestrated the kidnapping of a high-ranking German officer, General Kreipe, on the island of Crete. The film follows their meticulous planning and execution of this audacious plan, spotlighting the tension and danger that accompany such a risky mission. Without venturing into spoiler territory, the plot unfolds with a steady rhythm, balancing suspense and the occasional touch of humor, making it an engaging watch from start to finish.

Performances

The performances in Ill Met by Moonlight are a significant part of its charm. Dirk Bogarde, in the role of Patrick Leigh Fermor, brings a suave yet determined energy to the screen. His depiction of Fermor is nuanced, capturing both the character's bravery and his underlying vulnerability. Alongside him, Marius Goring as General Kreipe delivers a portrayal that is both dignified and layered, allowing the audience to see the human side of a man caught in a perilous situation. The chemistry between Bogarde and Goring is palpable, adding depth to the narrative and keeping viewers invested in their dynamic.

The supporting cast also deserves mention. Cyril Cusack and Michael Gough provide solid performances that enhance the authenticity of the mission's ensemble. Each actor contributes to the film's atmosphere, fleshing out the world of wartime Crete with authenticity and flair. Their interactions are believable and help ground the somewhat extraordinary plot in a more relatable reality.

Direction and Craft

Michael Powell and Emeric Pressburger, known for their distinctive style, bring their directorial prowess to Ill Met by Moonlight with impressive results. The film is visually striking, making excellent use of Cretan landscapes to heighten the sense of isolation and tension. The duo's ability to weave together a story that balances action with character study is on full display here, making the film both gripping and thoughtful.

The cinematography by Christopher Challis is another highlight, capturing the rugged beauty of Crete and the claustrophobic feel of the mission. The lighting and shot composition work together to create a mood that complements the narrative's suspenseful beats. Meanwhile, the score by Mikis Theodorakis provides an additional layer of atmosphere, underscoring the film's tension without overshadowing the action on screen.

While the film might not have the explosive battle scenes typical of many war films, its strength lies in its character-driven narrative and the steady build-up of suspense. The directors manage to create a film that feels personal and immediate, drawing the audience into the story with a deft hand.

Collector's Verdict

For collectors, Ill Met by Moonlight is a gem, particularly for those with an interest in World War II stories or the work of Powell and Pressburger. The film's unique angle on the war genre, focusing on a small-scale operation rather than large battles, makes it a distinctive addition to a collection. The Blu-ray format is the best way to experience the film, offering clarity and detail that do justice to the cinematography.

In terms of rarity, it’s an uncommon find. While not the hardest to come by, it’s a title that isn’t always readily available, making it a prized acquisition for collectors who appreciate classic war narratives. Its historical significance and the quality of its production make it worth seeking out.

Overall, Ill Met by Moonlight is a film that rewards the patient viewer, offering a window into a lesser-known aspect of wartime history. It’s a must-have for those interested in classic cinema and a valuable conversation piece for any collection.