Review: Invincible (2001)

Werner Herzog's 2001 film, Invincible, is a fascinating exploration of identity and heroism set against the backdrop of pre-World War II Europe. It's a film that stands out not just for its thematic depth but also for Herzog's trademark approach to storytelling, which blends factual history with a touch of mythical narrative. As a collector, this film might catch your eye for its unique place within Herzog's filmography, straddling the line between his documentaries and fictional narratives.

Plot Summary

Invincible centers around Zishe Breitbart, a Jewish blacksmith from Poland who becomes a strongman performer in Berlin. Set in 1932, the film follows Zishe's journey as he's discovered by a theatrical impresario named Hanussen, who runs a popular cabaret in the German capital. Hanussen, who claims to have supernatural powers, promotes Zishe as a mythical Aryan hero, unbeknownst to the audience of his true heritage. As tensions rise in Germany, Zishe's internal struggle with his identity and the deceit surrounding his performance becomes a central conflict. Without giving too much away, the film delicately balances personal and political narratives, weaving Zishe's path with the larger historical context of the era.

Performances

The performances in Invincible are both intriguing and varied. Jouko Ahola, a former World's Strongest Man champion, steps into the role of Zishe with a raw physicality that feels authentic. His portrayal is not polished in the traditional Hollywood sense, but it lends an earnestness to the character that fits the film's tone. Tim Roth, as Hanussen, provides a more seasoned presence. His portrayal of the manipulative and enigmatic impresario brings a layer of complexity to the film. Roth's ability to oscillate between charm and menace adds depth to his character, making Hanussen a memorable antagonist. Anna Gourari, a concert pianist making her acting debut, fills the role of Marta with a subtle grace that complements the film's quieter moments. While some of the supporting cast may not stand out as much, the central performances are solid enough to carry the narrative.

Direction and Craft

Herzog's direction in Invincible is unmistakably his own, merging reality with myth in a way few filmmakers dare to attempt. His choice to cast non-actors in lead roles is a gamble that pays off in authenticity, even if it occasionally results in uneven performances. The film's visual style is marked by Herzog's typical attention to detail, capturing the grit and gloom of early 1930s Berlin with an almost documentary-like realism. The cinematography by Peter Zeitlinger complements Herzog's vision, using muted color palettes and stark contrasts to enhance the film's somber mood.

The film's score, composed by Hans Zimmer and Klaus Badelt, is another highlight. It seamlessly integrates with the narrative, underscoring the emotional and thematic beats without overpowering them. Herzog's storytelling is deliberate, taking its time to unfold, which might not cater to all tastes but will certainly appeal to those who appreciate a more reflective pace.

Collector's Verdict

For collectors, Invincible represents a unique piece of Herzog's work, especially if you appreciate his ability to blend fact and fiction. The best format to own this film in is DVD, as it offers a good balance between availability and quality, with some editions featuring insightful commentary that enriches the viewing experience. While not particularly rare, the film is somewhat uncommon, making it a noteworthy addition to a collection focused on historical narratives or Herzog's filmography. However, due to its niche appeal and specific thematic focus, it might not be a must-have for every collector.

The film, with its thematic exploration and distinctive direction, provides a valuable glimpse into Herzog's perspective on storytelling. If you find joy in the nuances of historical dramas or are a dedicated follower of Werner Herzog, Invincible is certainly worth considering.

Star Rating: 3.5/5