Manhattan Baby (1982) Review

As a fellow collector, you know the thrill that comes with discovering a film that seems to have been hiding in the shadows, just waiting to be found. Directed by Lucio Fulci, a name that rings bells in the horror genre, Manhattan Baby is one such film. Released in 1982, this supernatural horror flick is an oddity that blends Egyptian curses with the bustling backdrop of New York City.

Plot Summary

Fulci's film kicks off in Egypt, where archaeologist George Hacker stumbles upon a mysterious tomb. As it usually goes in horror films, this discovery unleashes an ancient curse. The action quickly shifts to New York, where George's daughter, Susie, begins experiencing strange phenomena linked to the artifact her father brought back. Fulci's story weaves through eerie occurrences and supernatural elements, maintaining enough mystery to keep viewers curious about how it all ties together without giving too much away. The plot is a slow burn, typical of Fulci's style, offering a mix of horror and suspense that doesn't rely heavily on gore but more on an unsettling atmosphere.

Performances

The performances in Manhattan Baby are a bit of a mixed bag. Christopher Connelly, who plays George Hacker, delivers a solid performance as a father caught in the grip of supernatural events beyond his understanding. Connelly's portrayal is grounded, which helps anchor a film that at times feels like it's spiraling into chaos. Martha Taylor, playing George's wife Emily, also does her part to maintain a semblance of normalcy in their increasingly bizarre life.

Brigitta Boccoli, as Susie, brings a sense of innocence and vulnerability to the role, which is crucial for the audience to empathize with the character's plight. However, like many films of its era, some of the acting can seem stilted, and the dialogue occasionally falls flat. Yet, there's a charm to this kind of performance, especially if you're used to the quirks of 1980s horror films.

Direction and Craft

Lucio Fulci is a director known for his unique approach to horror, often focusing on surreal visuals over straightforward storytelling. Manhattan Baby is no exception. Fulci's direction here is more about creating an atmosphere of unease and mystery than delivering a coherent narrative. The film has its moments where the plot seems to wander, but it's the mood that keeps you engaged.

The film's crafts are a mixed bag. The cinematography, handled by Guglielmo Mancori, captures the contrasting settings of Egypt and New York with a keen eye, adding to the film's unsettling vibe. The special effects, typical of early 80s horror, might feel dated to some, but they carry that nostalgic charm that collectors often appreciate. The score by Fabio Frizzi is memorable, with its eerie melodies enhancing the film's otherworldly atmosphere.

Collector's Verdict

Manhattan Baby might not be the crowning jewel of Fulci's filmography, but it has its own peculiar allure that makes it a worthwhile addition to a collection focused on horror and supernatural themes. For those who appreciate Lucio Fulci's unique style and the quirks of 1980s horror, this film is a fascinating piece to examine.

The best format to own this film is the Blu-ray edition, which offers improved visuals that help you better appreciate Fulci's atmospheric direction. The sound quality on Blu-ray also does justice to Fabio Frizzi's score, enhancing the overall experience. As for rarity, this film is considered rare, especially if you are looking for a pristine copy in any format. Finding a good condition VHS might be a treasure hunt, but the Blu-ray provides the most satisfying experience.

In terms of value, Manhattan Baby is a film that might not appeal to everyone, but if you're a fan of Fulci's work and enjoy the supernatural mixed with horror, it's worth adding to your collection. The film offers a glimpse into a different era of horror, one that favored mood and atmosphere over straightforward scares.

Star Rating: 3/5