Review: Murder! (1930)

Alfred Hitchcock's early sound film, Murder! from 1930, is a fascinating piece of cinema history. It's one of those titles that sits right at the crossroads of silent film traditions and the burgeoning era of talkies. For collectors, it's an intriguing artifact, showcasing Hitchcock's experimental edge during a transitional period in film. While it may not have the polish of his later works, it provides a unique glimpse into the director's evolving style and his attempts to master the new medium of sound.

Plot Summary

Murder! follows the investigation of a grisly crime in a small English town. The story begins with the discovery of a woman's body and quickly spirals into a courtroom drama as Diana Baring, a young actress, stands accused of the murder. The evidence seems damning, and the jury is quick to convict. However, one juror, Sir John Menier, harbors doubts about her guilt. He takes it upon himself to unravel the mystery, believing that the true murderer is still at large. What unfolds is a tense whodunit where Sir John races against time to uncover the truth.

Performances

The performances in Murder! are a mixed bag, reflective of the era's transition from silent film acting to the more naturalistic styles that sound films demanded. Herbert Marshall, in his film debut as Sir John Menier, provides a strong presence. His portrayal is both thoughtful and commanding, making his character's internal conflict strong to watch. Norah Baring, as the accused Diana, brings a certain vulnerability to her role, though at times her performance feels a bit overdone—a common trait in early sound films where actors were still adjusting to the nuances of spoken dialogue.

The supporting cast offers a range of performances, from the theatrical to the understated. Phyllis Konstam and Edward Chapman deliver solid performances, though they occasionally struggle with the constraints of the early sound technology, which often demanded more static and exaggerated delivery.

Direction and Craft

Hitchcock's direction in Murder! is marked by his willingness to experiment with the new sound technology. While the film does show some of the creaks and groans typical of early talkies, there are glimpses of the stylistic flair that would come to define his later work. The use of sound is particularly noteworthy in the famous scene where Sir John deliberates in front of a mirror, his internal monologue providing a psychological depth that was innovative for its time.

Visually, the film is a blend of static shots and more adventurous camera work. Hitchcock plays with shadows and light, hinting at the more expressionistic styles he would later embrace. The set designs, though minimal by today's standards, effectively convey the claustrophobic atmosphere of the courtroom and the drawing rooms where much of the drama unfolds.

The pacing of the film reflects the era's slower storytelling style, which may feel languid to modern audiences. However, for collectors and enthusiasts of film history, this pace offers a chance to appreciate the film's subtle intricacies and the way Hitchcock builds suspense through dialogue and character interaction rather than action alone.

Collector's Verdict

Murder! is a fascinating watch for Hitchcock enthusiasts and those interested in the evolution of early sound films. Its rarity makes it a prized piece for collectors. The best format to own is the Blu-ray release, which offers the best restoration of both audio and visual elements. Due to its age and the specific interest it holds for Hitchcock completists, it's considered a rare find in pristine condition.

While it may not have the immediate appeal of Hitchcock's later thrillers, its historical significance and the insight it provides into the director's early work make it a valuable addition to any serious film collection. If you're a fan of classic cinema or a Hitchcock aficionado, Murder! is worth seeking out.

Overall, while not flawless, Murder! is an essential piece of film history that highlights the challenges and triumphs of early sound filmmaking. It stands as a reflection to Hitchcock's lasting genius and his ability to captivate audiences, even in the nascent stages of his illustrious career.