Review: Patrick Still Lives (1980)

If you're a fan of Italian horror and its often bizarre twists, then "Patrick Still Lives" from 1980 might just be your next intriguing find. This film is a wild ride through the realms of telekinesis and vengeance, wrapped in a package that feels distinctly of its time. Directed by Mario Landi, a name not unknown to the Italian horror genre enthusiasts, the movie is a sort-of sequel to the 1978 Australian film "Patrick," but it comes with its own unique flair that sets it apart.

Plot Summary

The plot kicks off with a seemingly random act of violence that sets the stage for the telekinetic chaos to follow. A man named Patrick is critically injured after a bottle is hurled at him from a moving vehicle. This incident leaves him in a coma, but don't let that fool you into thinking he's just a passive character. The film takes us to a secluded villa where a group of unsuspecting guests find themselves entangled in a series of bizarre and deadly events. As it turns out, Patrick, despite his comatose state, possesses a terrifying ability to manipulate and control objects and people with his mind, enacting a sinister form of retribution from his hospital bed.

Performances

When it comes to performances, "Patrick Still Lives" offers a mixed bag. There's a certain charm to the way the actors embrace their roles, fully committing to the absurdity and the over-the-top horror elements. Gianni Dei, playing the comatose Patrick, manages to convey an eerie presence despite spending most of the film in bed. Mariangela Giordano delivers a memorable performance as Lydia, the caretaker, bringing some much-needed gravitas to the otherwise campy proceedings. The ensemble cast dives into their roles with gusto, which is exactly what you'd hope for in a film that doesn't take itself too seriously.

Direction and Craft

Mario Landi's direction is both a strength and a downside. On one hand, he embraces the lurid and exploitative elements, pushing boundaries with scenes that are shocking, even by today's standards. The film is unapologetically graphic, using its horror elements to create an unsettling atmosphere that sticks with you. On the technical front, the special effects range from effective to downright hilarious, contributing to the film's cult status. The practical effects, particularly in the death scenes, are a reflection to the resourcefulness of Italian horror filmmakers of that era.

The film's pacing is somewhat erratic, with moments that drag interspersed with bursts of violent activity. Yet, this uneven flow adds to its charm, keeping viewers on their toes. The musical score, composed by Berto Pisano, adds another layer of unease, using eerie synths and dramatic cues to heighten the tension.

Collector's Verdict

For collectors, "Patrick Still Lives" represents a fascinating piece of horror history. It's not just about the film itself but the era it represents. The best format to truly experience this film is on VHS. The grainy quality and analog sound contribute to its unsettling atmosphere, making it a prime example of why sometimes older formats hold a certain magic.

In terms of rarity, the film is uncommon but not impossible to find. Dedicated collectors will appreciate the hunt, as acquiring a copy can feel like uncovering a hidden gem. The VHS tapes occasionally surface on auction sites or at niche horror conventions, often fetching a decent price due to their collectible nature.

Overall, "Patrick Still Lives" is a must-have for collectors who appreciate the obscure and the bizarre. It's a piece that speaks to a specific era of horror film-making, where creativity often outshone budgetary constraints. Whether you're a seasoned collector or just starting, adding this to your shelf will certainly spark conversations.

In conclusion, while "Patrick Still Lives" might not be everyone's cup of tea, it offers enough intrigue and shock value to warrant a place in any horror aficionado's collection. With its unique blend of telekinetic terror and exploitative horror, it remains a fascinating artifact of its time.