Review: Rififi (1955)

When discussing the heist genre, Jules Dassin's "Rififi" from 1955 inevitably comes up as a reference point for its influential depiction of crime on screen. This film is often celebrated for its precise attention to detail and its ability to create tension without relying heavily on dialogue or music. It's a film that has left its mark not only on the genre but also on filmmakers who have followed in Dassin's footsteps.

Plot Summary

"Rififi" centers around a group of four men who come together to pull off an elaborate jewelry heist in Paris. Tony, the leader, is recently out of prison and finds himself drawn back into a life of crime. As the team meticulously plans and executes their plan, the film takes viewers through every nerve-wracking step. The heist itself is a expert display in tension, with a near half-hour sequence entirely without dialogue or music, showcasing the filmmakers' trust in their storytelling and the audience's engagement. As with any great crime story, the aftermath of the heist spirals into unexpected directions, keeping the viewer on edge.

Performances

The performances in "Rififi" are understated yet powerful, perfectly suiting the film's gritty tone. Jean Servais delivers a standout performance as Tony, the brooding mastermind with a no-nonsense approach to his criminal endeavors. His portrayal captures the weariness of a man who's seen too much of the underworld, yet still finds himself drawn back into its depths. Carl Möhner, Robert Manuel, and Jules Dassin himself, under the pseudonym Perlo Vita, round out the ensemble, each bringing a unique dynamic to the group. Their chemistry is palpable, adding layers to the narrative as the heist unfolds and the tension mounts.

Direction and Craft

Jules Dassin's direction in "Rififi" is nothing short of meticulous. The film is renowned for its heist sequence, executed with precision and an almost documentary-like realism. Dassin's decision to include an extended sequence without dialogue or a musical score was a bold choice that pays off spectacularly, emphasizing the palpable tension and the characters' every move. The cinematography by Philippe Agostini enhances this further, capturing the moody streets of Paris with a noir-like quality that adds to the film's atmosphere.

The attention to detail in the planning and execution of the heist is a reflection to Dassin's commitment to authenticity. From the drilling of the safe to the careful avoidance of setting off alarms, every step is depicted with a level of care that draws the viewer into the intricacies of the crime. It's easy to see why "Rififi" has been influential for so many filmmakers and why it continues to hold a special place in the heist genre.

Collector's Verdict

For collectors, "Rififi" is a jewel of a film that deserves a spot on your shelf, particularly if you're a fan of crime dramas and classic cinema. The best format to own this film in is undoubtedly Blu-ray. The high-definition transfer does justice to the film's noir aesthetic, allowing the shadows and light to play off each other as intended. Additionally, the sound quality is crucial for appreciating the film's unique use of silence during the heist sequence.

In terms of rarity, "Rififi" is uncommon, but not impossible to find. It pops up frequently in boutique labels' collections, often accompanied by insightful extras that provide context and appreciation for Dassin's work. Keeping an eye on Criterion or other specialty labels is advisable if you're seeking the best possible edition.

Overall, "Rififi" is a must-have for any serious collector of classic crime films, offering a blend of storytelling and technical prowess that has influenced countless films that followed.

Star Rating

I would give "Rififi" a 4.5 out of 5 stars. It's a film that not only stands as a hallmark of its genre but also offers a rich viewing experience that holds up on repeated watches. The performances, direction, and craft make it a worthwhile addition to any collection, especially for those with an appreciation for the art of the heist film.