Right Now, Wrong Then (2015) Review

In the realm of international cinema, few directors have a voice as distinct as Hong Sang-soo. His film, Right Now, Wrong Then, released in 2015, is a fascinating exploration of chance, perspective, and the nuances of human interaction. If you're a collector with an appreciation for films that challenge conventional storytelling, this one should certainly pique your interest.

Plot Summary

The plot of Right Now, Wrong Then is deceptively simple yet ingeniously crafted. It follows the story of Ham Cheon-soo, a film director who arrives in Suwon a day early for a screening of his film. With time to spare, he encounters Hee-jung, a young artist. The narrative is split into two parts, each portraying a different version of their interaction. While I won't spoil any specifics, this dual narrative structure plays with the ideas of perception and the impact of choices, offering a fresh perspective on the same set of events.

Performances

The performances in Right Now, Wrong Then are subtle yet powerful. Jung Jae-young, who plays Ham Cheon-soo, brings a nuanced depth to his character. He captures the awkwardness and vulnerability of a man trying to navigate his own shortcomings. Kim Min-hee, as Hee-jung, delivers a performance that's equally strong. She embodies the character with a quiet strength and sincerity that makes her instantly relatable. The chemistry between the two leads is palpable, creating a believable and engaging dynamic that carries the film.

Direction and Craft

Hong Sang-soo's direction is marked by a minimalist style that allows the story and characters to take center stage. His use of long takes and static shots creates an intimate atmosphere, drawing the viewer into the subtleties of the interactions between the characters. The film's structure, with its two-part narrative, is a reflection to Hong's skill as a storyteller, effectively using repetition to reveal deeper layers of meaning.

The cinematography by Park Hong-yeol complements Hong's direction beautifully, with a naturalistic approach that enhances the film's authenticity. The use of natural light and real locations gives the film a grounded feel, immersing the audience in the world of the characters. The editing, done by Hahm Sung-won, is seamless and precise, maintaining a steady pace that never feels rushed or drawn out.

Collector's Verdict

For collectors, Right Now, Wrong Then is a gem worth adding to any collection of international cinema. Its unique approach to storytelling and the strength of its performances make it a standout piece. The best format to own this film is Blu-ray, which captures the subtle details of Hong's direction and the film's visual nuances beautifully. While it might be uncommon in some markets, it's definitely worth the hunt for those who appreciate films that offer more than meets the eye. The film's ability to provoke thought and inspire reflection on the nature of human interaction makes it a valuable addition to any collection.

In conclusion, Right Now, Wrong Then is a film that challenges viewers to consider the impact of their actions and the different paths life can take. With its strong narrative structure, strong performances, and thoughtful direction, it stands out as a significant work in Hong Sang-soo's filmography. Whether you're a seasoned collector or new to international films, this is one you'll want to watch and discuss.

Star Rating: 4.5 out of 5