Review: Shock and Awe (2017)

If you're a collector with a penchant for films that explore the intricacies of journalism, Rob Reiner's "Shock and Awe" is one to consider. Released in 2017, the film is set against the backdrop of the early 2000s, a time when America was grappling with the aftermath of the 9/11 attacks and the lead-up to the Iraq War. It's not just a historical recount but a story of how journalism can shape, and sometimes challenge, the narrative presented by those in power.

Plot Summary

"Shock and Awe" follows the journalists at Knight Ridder, a news organization that questioned the Bush administration's assertion that Saddam Hussein possessed weapons of mass destruction. While the mainstream media largely parroted the government line, these journalists dared to ask the difficult questions. The film tracks their investigation as they dig through the murky waters of political rhetoric and misinformation, aiming to uncover the truth. It's a tense narrative that keeps you engaged without spoiling the actual events for those unfamiliar with the story.

Performances

The film boasts a strong ensemble cast led by Woody Harrelson and James Marsden, who play veteran journalists Jonathan Landay and Warren Strobel. Harrelson brings his usual charisma and gravitas to the role, portraying a seasoned reporter who is both skeptical and relentless in his pursuit of the truth. Marsden complements him well, playing the younger, eager journalist looking to make an impact. Rob Reiner himself steps into the role of John Walcott, their editor, and provides a steady, reassuring presence.

Tommy Lee Jones takes on the role of Joe Galloway, a seasoned war correspondent who offers wisdom and guidance to the younger journalists. His performance is understated but powerful, as expected from an actor of his caliber. Milla Jovovich and Jessica Biel also deliver noteworthy performances, adding depth to the narrative by portraying the personal sides of the journalists' lives.

Direction and Craft

Rob Reiner's direction is solid, managing to balance the urgency of a newsroom thriller with the more reflective moments of personal struggle and ethical dilemmas. The pacing is deliberate, ensuring that the audience can follow the complexities of the story without feeling overwhelmed by information. The film's cinematography by Barry Markowitz captures the tension and unease of the post-9/11 era, with muted color palettes and tight framing that mirror the constrained world in which these journalists operate.

The screenplay by Joey Hartstone is well-researched and offers a clear look into the journalistic process, highlighting the challenges of reporting against a prevailing narrative. The dialogue is sharp, with enough wit and humor to lighten the otherwise intense subject matter. Musically, the score by Jeff Beal complements the film's tone, enhancing the emotional beats without overpowering them.

Collector's Verdict

For collectors, "Shock and Awe" is a must-own film if you're into journalistic dramas, especially those that tackle real-world events with a critical eye. The Blu-ray version is the best format to own, offering high-definition clarity that brings out the film's subtle visual cues and enhances the overall viewing experience. With a rarity rating of "Common," it should be relatively easy to find and add to your collection.

This film may not be a blockbuster hit, but it holds a significant place in the realm of political dramas, especially those released in the late 2010s. It's a thoughtful addition to any collection, particularly if you appreciate films that emphasize the importance of truth and accountability in journalism.

In conclusion, "Shock and Awe" scores a solid 3.5 out of 5 stars. It's not without its flaws, but the strength of its performances and the importance of its subject matter make it a worthy addition to any serious collector's library. Whether you're brushing up on your political film collection or just enjoy a good story about journalists fighting the good fight, this film is worth your time.