Review: The Apple (1980)

In the world of cult films, few stand out quite like The Apple (1980). Directed by Menahem Golan, this musical fantasy film is a product of its time, blending a futuristic setting with a soundtrack that screams the late '70s and early '80s. It's a movie that polarizes audiences, often described as either a misunderstood gem or a baffling misfire. As a collector, you might find its unique blend of genres and styles an intriguing addition to your library, especially if you're into the more eccentric corners of film history.

Plot Summary

The Apple is set in the dystopian future of 1994, a world dominated by the music industry, specifically a powerful company known as BIM. The story follows two young musicians, Bibi and Alphie, who are lured into the glitzy yet morally bankrupt world of BIM by its charismatic leader, Mr. Boogalow. As they rise to fame, they confront the moral and personal costs of their newfound success. The film explores themes of temptation, control, and the struggle for individuality against a backdrop of flamboyant musical numbers.

Performances

The performances in The Apple are as extravagant as the film's visuals. Catherine Mary Stewart and George Gilmour star as Bibi and Alphie, delivering earnest if somewhat melodramatic performances that fit the film's heightened reality. Stewart particularly shines in her musical numbers, capturing the innocence and eventual transformation of her character. Vladek Sheybal, as the sinister Mr. Boogalow, brings a theatrical flair to his role, embodying the archetypal villain with gusto. His performance is both campy and charismatic, leaving a lasting impression long after the credits roll. The supporting cast, including Grace Kennedy and Allan Love, contribute to the over-the-top vibe with their energetic portrayals, each adding to the film's unique charm.

Direction and Craft

Menahem Golan's direction is ambitious, attempting to merge a cautionary tale with a musical spectacle. The film's art direction and set design are colorful and surreal, creating a world that feels both familiar and alien. Its choreography is equally bold, with dance sequences that range from the bizarre to the mesmerizing. The soundtrack, composed by George S. Clinton, is a mix of disco, rock, and pop, perfectly capturing the era's eclectic musical landscape. While the film's narrative coherence sometimes takes a backseat to its visual and musical ambitions, it's this very excess that gives The Apple its cult status. It's not a polished piece by any means, but its imperfections are what make it memorable.

Collector's Verdict

For collectors of cult films, The Apple is a fascinating piece of 1980s cinema. Its unique blend of music, fashion, and futurism makes it a standout in any collection. While it might not appeal to everyone, its distinct style and bold choices are a reflection to the era's creative spirit. The best format to own this film is on VHS, which captures the vintage quality of the movie and adds to the nostalgic experience. In terms of rarity, The Apple is considered uncommon, particularly in good condition on VHS. Tracking down a copy might require some dedication, but it's a worthwhile endeavor for enthusiasts of eclectic film history.

In conclusion, The Apple (1980) offers a wild ride through a dystopian musical landscape. It's a film that remains divisive, loved by some for its audaciousness and dismissed by others for its perceived flaws. For collectors, it's an opportunity to own a slice of pop culture that exemplifies the boldness of its time.