Review: Water (2005)

There’s something uniquely profound about films that don't just entertain, but also educate and provoke thought. Deepa Mehta's Water, released in 2005, is one such film. It's the third part of her Elements trilogy, and it tackles a subject that's both sensitive and powerful, set against the backdrop of 1930s India. The film navigates the difficult lives of widows forced into poverty and isolation, a practice still prevalent in certain parts of the country. As a collector, you might find this film particularly interesting not only for its story but also for its journey to the screen, fraught with controversy and significant delays.

Plot Summary

Set in 1938, Water explores the lives of widows who are confined to an ashram, a place where they are expected to live out their days in penance and destitution. The story centers on an eight-year-old girl named Chuyia, who is sent to the ashram following the death of her husband. Through her eyes, we witness the injustices faced by the women there, especially when they are visited by Kalyani, a beautiful young widow who breaks the mold by daring to fall in love again. The film paints a poignant picture of societal norms and the struggles these women endure, without ever revealing too much or losing its delicate touch.

Performances

The performances in Water are nothing short of remarkable. Sarala Kariyawasam, who plays the young Chuyia, brings a sense of innocence and curiosity that is both heartwarming and heartbreaking. Seema Biswas, known for her role in Bandit Queen, plays Shakuntala, one of the older widows, with a silent strength that resonates throughout the film. John Abraham's portrayal of Narayan, the young idealist who falls for Kalyani, is sincere and adds a layer of hope to the narrative. But perhaps the standout performance comes from Lisa Ray as Kalyani. She brings depth and emotion to her role, capturing the turmoil of a woman torn between love and societal obligations.

Direction and Craft

Deepa Mehta's direction is subtle yet powerful, avoiding melodrama while highlighting the stark realities of the widows' lives. Her approach is both respectful and unflinching, shining a light on an issue that was, and remains, highly relevant. The film's aesthetic is enhanced by its gorgeous cinematography, courtesy of Giles Nuttgens, who captures the vibrant yet oppressive atmosphere of the ashram and its surroundings. The use of natural light and water imagery plays a crucial role in conveying the film’s themes of purity, cleansing, and entrapment.

The music, composed by A.R. Rahman, complements the visuals beautifully. It underscores the emotional beats of the film without overpowering the narrative. Rahman’s score is subtle, yet it leaves a lasting impression, much like the film itself.

Collector's Verdict

For collectors, Water is a film that holds significant value both in terms of content and its journey to completion. It’s a film that faced substantial opposition during its production, which only adds to its importance and appeal. The best format to own Water in is Blu-ray. This format preserves the film's beautiful cinematography and sound design, allowing you to fully appreciate the craftsmanship involved. However, it’s not the easiest find and is considered rare, making it a prized possession for enthusiasts of world cinema.

Water is not just a film; it’s an experience that brings with it a deeper understanding of a part of the world and its customs. It’s a vital addition to any collection focused on impactful world cinema, offering both aesthetic beauty and historical significance.

In conclusion, Water is a film that challenges, educates, and remains with you long after the credits roll. Its strength lies in its ability to provoke thought while delivering a story that is as heart-wrenching as it is hopeful. For collectors, it's a piece of art that deserves a spot on the shelf, not just for its narrative, but for the context and history it embodies.

4.5 out of 5 stars.