Review: Working Girl (1988)

In the late 1980s, a film emerged that perfectly captured the zeitgeist of the era's corporate culture and the burgeoning role of women in the workforce. That film was Working Girl, directed by Mike Nichols. It’s one of those movies that dances on the line between comedy and drama, creating a story that feels both lighthearted and earnest. As a collector, finding a movie that balances these elements while also being a time capsule of its era is a rare treat.

Plot Summary

Working Girl tells the story of Tess McGill, played by Melanie Griffith, a secretary from Staten Island with dreams of making it big in the Manhattan business world. She’s smart, resourceful, and determined, but she faces numerous obstacles in a male-dominated environment. Her journey takes a twist when her boss, Katharine Parker, played by Sigourney Weaver, breaks her leg during a skiing trip. Tess seizes the opportunity to push forward her own ideas, leading to a series of events that challenge her integrity, intelligence, and perseverance. The movie explores themes of ambition and identity while offering a sharp commentary on the corporate ladder.

Performances

Melanie Griffith delivers a standout performance as Tess, embodying both vulnerability and fierce determination. Her portrayal is relatable and endearing, capturing the essence of a woman trying to navigate a world that seems stacked against her. Griffith’s nuanced performance earned her an Academy Award nomination, and it's easy to see why. She brings a genuine sense of authenticity to the role.

Harrison Ford plays Jack Trainer, a charming and supportive investment broker who becomes Tess’s ally and love interest. Ford's natural charisma shines through, adding a layer of warmth to the film. His chemistry with Griffith is palpable and adds depth to the storyline.

Sigourney Weaver, known for her strong and commanding roles, plays Katharine with a delightful blend of charm and cunning. She's the quintessential boss, and her performance adds an interesting dynamic, highlighting the challenges Tess faces.

The supporting cast, including Joan Cusack as Tess's best friend Cyn, adds a rich layer of humor and heart to the film. Cusack's comedic timing is impeccable, providing some of the film’s most memorable moments.

Direction and Craft

Mike Nichols, known for his deft touch with character-driven stories, directs Working Girl with an eye for detail and an understanding of the nuances of the corporate world. His direction allows the film to oscillate between humor and drama seamlessly, never losing sight of the story's core message. Nichols crafts a world that feels both realistic and aspirational, a place where dreams are possible if one is willing to take the leap.

The screenplay, penned by Kevin Wade, is witty and sharp, full of clever dialogue and insightful commentary on gender roles within the workplace. It’s a script that offers both laughs and food for thought, and it’s no wonder it received an Academy Award nomination.

Visually, the film is a feast of 1980s style. The costume design, particularly the power suits and big hair, is iconic and instantly transports viewers back to a different era. The cinematography captures New York City in a way that feels both grand and intimate, highlighting the contrast between Tess's modest beginnings and her ambitious dreams.

The soundtrack, featuring Carly Simon's