Aldo Valletti, born in Rome in 1930, carved a unique niche in the world of Italian cinema, most notably through his pivotal role in Pier Paolo Pasolini's controversial film, *Salò, or the 120 Days of Sodom* (1975). Portraying President Curval, Valletti's performance is marked by its unsettling power, making this film a cornerstone of any serious collector's library. His selection by Pasolini, who described him as a "generic actor," highlights Valletti's ability to evoke a haunting presence, despite his limited dialogue throughout his career. Beyond *Salò*, Valletti contributed to a variety of films in the 70s, often in supporting roles alongside directors like Tinto Brass and Damiano Damiani. Collectors prize his work not only for its artistic significance but also for its rarity and the unique context of the films he appeared in. His last on-screen appearance in *Arrivano i gatti* (1980) marks the end of a career that reflects the complexities of Italian cinema, making his films sought-after pieces for those who appreciate the depth of film history.