Allison Chhorn is a Cambodian-Australian filmmaker whose work resonates deeply with the themes of migration and familial ties, making her films particularly sought after by collectors of independent cinema. Her acclaimed feature, *Blind Body* (2021), showcases her unique storytelling style, blending impressionistic visuals with poignant narratives that reflect her own experiences. This film, along with her earlier shorts like *Missing* and *The Plastic House*, has garnered attention at prestigious festivals such as the Melbourne International Film Festival and the New York Film Festival, cementing her status in the indie film community. Collectors are particularly drawn to Chhorn's work for its emotional depth and cultural significance. *The Plastic House*, filmed on her family’s farm, not only highlights her artistic roots but also serves as a powerful exploration of belonging and memory, themes that resonate strongly within the physical media collector sphere. With her films now being part of retrospectives, including at the Cambodian International Film Festival, owning her works is akin to possessing a piece of contemporary art history.