Anna Javorková, a captivating presence in Slovak cinema, has built a career marked by nuanced performances that resonate deeply with collectors of Eastern European film. While her filmography might be less saturated with international blockbusters, her contributions to Slovak and Czech productions are highly valued, particularly among those who delve into the rich tapestry of European independent and art-house cinema available on physical media. Her work often represents a window into post-communist era filmmaking and cultural narratives, making her roles central to understanding the cinematic landscape of the region. For collectors, Javorková's most sought-after film is arguably *Posledný cocktail* (1993). This particular title, released soon after the Velvet Divorce, often finds its way into specialized VHS and early DVD catalogs, becoming a key acquisition for those curating comprehensive collections of Slovak film. Its scarcity on more modern formats like Blu-ray or 4K only heightens its collectibility, forcing enthusiasts to seek out older, often region-locked, physical releases. Her performances in such films are not just about the acting; they are historical artifacts, preserving a vital period of filmmaking history for discerning home video connoisseurs.