Djouhra Abouda, known in earlier circles as Djurjura, made a significant mark in the film world with her unique blend of Kabyle cultural themes and women's voices, particularly evident in her standout work, *Ali in Wonderland* (1975). This film is celebrated not just for its innovative storytelling but also for its rich exploration of identity and societal roles, making it a prized possession for collectors eager to own a piece of cinematic history that captures the essence of its time. Abouda's journey began in the early 1970s with her involvement in the experimental film labs at Vincennes University, where she co-directed groundbreaking collages like *Algérie couleurs* and *Cinécité*. These works helped establish her as a pioneering voice in French-Algerian cinema, paving the way for future generations of filmmakers. Collectors seek out her films not only for their artistic value but also for their historical significance, as they encapsulate a transformative period in both culture and film.