A name synonymous with the Czech New Wave, Hynek Bočan left an indelible mark on cinematic history, and by extension, on the collections of discerning physical media enthusiasts. Bočan honed his craft assisting on classics like *Ikarie XB-1* (1963), before making his own directorial debut in 1965 with *Nobody Gets the Last Laugh*. His early work often carried a subversive edge, a quality that continues to drive collector interest. Bočan's most sought-after film on physical media is undoubtedly *Pasťák*. Shot in 1968, this unflinching look at institutional life was immediately banned and languished unseen for over two decades. Its eventual release in 1990, often on rare VHS and later limited DVD prints, makes *Pasťák* a prized artifact for those who value uncovering lost cinema and completing the canon of the Czech New Wave. His later work, including *Svatební kočár* (1990), also holds appeal for collectors keen on exploring the full breadth of his diverse career.