Katrin Seybold, a pioneering figure in documentary filmmaking, has made a significant impact on the representation of the Sinti community in Germany. Her landmark work, *Wir sind Sintikinder und keine Zigeuner* (1981), stands out as a crucial exploration of identity and discrimination, earning its place as a sought-after title among collectors of political and social documentaries. This film, alongside her subsequent works like *Es ging Tag und Nacht, liebes Kind* (1982) and *Das falsche Wort* (1987), reflects Seybold's commitment to addressing societal issues through a compassionate lens, making them essential viewing for anyone interested in both film history and social justice. Collectors are drawn to Seybold's films not only for their historical significance but also for their artistic merit. Her unique approach, which blends personal narratives with broader socio-political commentary, makes her work a valuable addition to any physical media collection. Despite facing challenges in funding and recognition, Seybold's determination to tell the stories of marginalized communities ensures her films remain relevant and highly collectible in the realm of documentary cinema.