Lazar Stojanović is a pivotal figure in the realm of Yugoslav cinema, particularly known for his audacious approach to storytelling and film-making during a tumultuous political era. His thesis film, *Plastic Jesus* (1971), stands as a testament to his bold vision, having been deemed subversive by the Tito regime, resulting in its confiscation and Stojanović’s imprisonment. This early work has become a sought-after title among collectors, especially after its eventual release in 1990, as it encapsulates the struggles of artistic expression under oppressive governance. In 2009, Stojanović returned to the spotlight with *The Old School of Capitalism*, a film that resonates deeply with collectors due to its incisive critique of societal norms and the transition to a market economy in post-Yugoslav society. This film, celebrated for its sharp wit and cultural commentary, has become a staple in many collectors' libraries, cementing Stojanović's place as a key figure in the preservation of Balkan cinematic history. His works are not just films; they are artifacts of resistance and reflections of a changing world, making them invaluable to any serious physical media collection.