Maria Plyta, a pioneering figure in Greek cinema, holds the distinction of being the first female director in Greece. Active from 1950 to 1970, she directed 17 films, including the notable *Anamesa se dyo gynaikes* (1967), which showcases her unique storytelling and directorial style. Her earlier works, such as *The Engagements* (1950) and *The Baptist* (1952), not only garnered commercial success but also played a crucial role in shaping post-war Greek cinematic language. Collectors seek out her films for their historical significance and artistic merit, often highlighting *The Lustrakos* (1962) as a standout in her filmography. Despite her profound impact, Plyta remains somewhat underrated, making her films all the more desirable for enthusiasts of classic cinema. Her contributions to film, literature, and journalism mark her as an essential figure in understanding the evolution of Greek cinema, inviting collectors to delve into her influential body of work.