Nikolai Izvolov, born in 1962 in Kostroma, USSR, is a prominent figure in the realm of film history and restoration. Notably, he co-produced the influential biopic *The Last Bolshevik* (1992) alongside renowned filmmaker Chris Marker, which has become a sought-after title among collectors for its unique exploration of Soviet cinema and history. Izvolov's dedication to the preservation and reconstruction of lost films has led him to develop the innovative 'Hyperkino' method, which breathes new life into forgotten works. His impressive catalog includes crucial restorations of Dziga Vertov’s films, such as *Lenin Kino-Pravda* (1996) and *Man with a Movie Camera* (2024), making these titles essential for collectors who appreciate the avant-garde movement. With a focus on Russian cinema's rich heritage, Izvolov’s work not only contributes to academic discourse but also enriches the collections of enthusiasts eager to own pieces of film history. His publications, including *Phenomenon of Film: History and Theory* (2001), further solidify his status as a key figure in understanding and preserving the cinematic art form.