Raymonde Carasco (1939-2009) was a pioneering director whose unique approach to blending film and anthropology has left an indelible mark on the world of cinema, particularly within the niche of ethnographic films. Her most notable work, "Ciguri - Tarahumaras 99 - Le dernier chaman" (1999), encapsulates her profound exploration of the Tarahumara people of Mexico, showcasing a cultural depth that resonates with collectors. This film, along with her earlier works such as "Tarahumaras 78" (1979) and "Tarahumaras 79 – Tutuguri" (1980), is sought after for its authentic representation of indigenous practices and the visual poetry Carasco crafted alongside her husband, cinematographer Régis Hebraud. Collectors value Carasco’s films not only for their artistic merit but also for their historical significance in documenting a culture that is often overlooked. Her dedication to capturing the essence of the Tarahumara, inspired by Antonin Artaud’s writings, makes her works essential artifacts for any serious physical media enthusiast interested in the intersection of film, culture, and anthropology.