Simon Leys, the pen name of Pierre Ryckmans, is a notable figure in the realm of film-related literature, whose insights into Chinese culture and politics have made waves in both literary and cinematic circles. His work, particularly the trilogy comprising *Les Habits neufs du président Mao* (1971), *Ombres chinoises* (1974), and *Images brisées* (1976), earned him recognition as one of the first to critique the idolization of Mao and the Cultural Revolution. Collectors of film and literature alike seek out these titles for their profound historical context and Leys’ candid perspectives. In 2024, Leys' influence extends into cinematic territory with the documentary *Simon Leys, l'homme qui a déshabillé Mao*. This film not only encapsulates his intellectual legacy but also serves as a collectible for those interested in the intersection of literature and film history. Collectors prize these works for their rarity and the unique lens they provide on a tumultuous era, making Leys a significant figure in both physical media collections and scholarly discourse.