Yi-Jung Chen is an innovative director whose unique blend of classic and modern European aesthetics has made waves in the film community. With a background in journalism, she has a keen eye for storytelling that resonates with audiences. One of her standout works is the horror-comedy "Granny Must Die" (2024), which has quickly become a sought-after title among collectors. Its quirky premise and engaging narrative have sparked interest for its potential cult status on physical media, with collectors eager to add it to their shelves. Prior to her feature film debut, Chen honed her craft through documentaries like "Taiwanese Marionette" (2004) and "La Boite - The Meeting of Taiwanese and French Marionettes" (2010). These early projects not only showcased her talent but also offered a glimpse into Taiwanese culture, making them prized possessions for collectors interested in global cinema. As she continues to evolve as a filmmaker, Yi-Jung Chen's work is sure to capture the attention of home video enthusiasts looking for fresh and unique perspectives in film.