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So, '1234' is this fascinating piece from 2007 that really dives into the whole mechanisation of bodies and how the workplace has been militarised. Zhou Tao sets this tone that’s almost playful but really critiques everyday life in these morning meetings across Shanghai and Shenzhen. The way he collages these chants, it feels like you’re witnessing a bizarre ritual rather than a standard assembly. The pacing is quite hypnotic, almost like you’re entranced into the monotony of it all. What stands out is how these performances blend choreography with a commentary on modern labor – it’s distinctive in that sense, not your typical docu-style work.
This film's availability is quite limited; it doesn’t pop up often in collector circles, and when it does, it tends to attract a specific audience interested in experimental and avant-garde cinema. The lack of a known director and its obscure genre makes it even more of a conversation starter among collectors. If you come across a physical copy, it's worth noting that it often comes with interesting supplemental materials that add depth to the viewing experience.
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