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So, this 1969 film, basically a showcase of the artist's work from their diploma exhibit at Chelsea College of Art, has a unique vibe. It dives into their Mummy Case piece and then shifts into this intricate exploration of a model’s image through mirrors. The pacing is a bit reflective, almost meditative, which gives you space to consider each piece. What strikes me is the play with light and reflection—those glass and mirror geometric forms create a fascinating visual tapestry. Definitely not your average exhibition film; it feels more like an artist’s meditation captured on celluloid.
This film is fairly niche, given its focus on a specific artist's diploma exhibit, which makes it somewhat scarce in collector circles. Most copies are likely to be found in independent film archives or specialized art collections. Interest can vary, as it appeals more to those who appreciate experimental art films rather than mainstream cinema. It's a curious piece for any serious collector interested in the evolution of visual art on film.
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