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So, '23rd Psalm Branch: Part II' continues Brakhage's experimental journey, shifting gears a bit from the intense imagery of conflict. Here, he weaves in fragments of Vienna alongside his own Colorado landscape, creating a kind of visual dialogue. It’s fascinating how he juxtaposes these two locations, both rich with their own histories but seen through his very personal lens. The pacing is reflective, almost meditative at times, inviting viewers to linger on details. The layering of visuals feels dreamlike, and the practical effects bring a tactile quality to the film that’s unique. It’s not just a film – it’s more of a personal exploration that breaks conventional storytelling norms.
This film is a bit elusive, hard to track down in certain formats, which adds to its allure among collectors. The scarcity of prints means that when it does pop up, it often stirs interest. Its experimental nature and the personal tone Brakhage employs can make it a talking point, especially for those who appreciate avant-garde cinema. Collectors often seek out early Brakhage works, and this one fits nicely into that niche of unique visual storytelling.
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