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400 m IFF is quite an intriguing piece from 1969, where the boundaries between the filmmaker and subject blur in a fascinating way. You’ve got Otto Kellner, Norbert Stratmann, and Joseph Beuys stepping into Mommartz’s ongoing film shoot, and it turns into this almost voyeuristic experience. It feels both spontaneous and curated, as if you're witnessing a conversation unfold within the confines of his apartment. The pacing lingers, allowing you to absorb the ambient tension and artistic exchange, which is pretty distinct for its time. This film plays with the notion of reality and performance, drawing you in without much exposition, which can leave one contemplative long after the credits roll.
400 m IFF is somewhat of an elusive title in the collectors' circles, with few prints circulating. It's interesting to note that its unconventional format and approach have made it a subject of academic interest, but it doesn't often appear in standard collections. As for physical formats, it’s primarily seen in rare screenings or limited edition releases, which makes tracking down a copy a bit of a treasure hunt for those passionate about experimental cinema.
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