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This piece is really something different. It’s got this haunting tone, and the atmosphere is both eerie and thought-provoking. The dancers engage with a set that Mike Kelley designed, and it feels like a strange blend of art installation and performance. They pull from Martha Graham’s mythological style, but there’s this unsettling layer as they incorporate gestures observed in Harlow's primate studies. The pacing is rhythmic yet jarring, keeping you on edge as you watch them comment on these heavy themes of behavior and violence. It’s a unique intersection of dance and psychological commentary that isn’t often seen.
This film is relatively scarce, making it a curious piece for collectors. It’s been released in a few formats over the years, but nothing too extensive. There's a niche interest surrounding its experimental nature and the blend of dance and psychology, appealing to those who appreciate avant-garde works. Its unique thematic approach keeps it in certain collector circles, especially among those who favor interdisciplinary art.
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