All That's Solid

About This Movie

All That's Solid (2000) is a fascinating exploration of the urban landscape through Tyree Suyton's art, shot on location during an exhibition at Harvard. The film's atmosphere is imbued with a sense of rediscovery, as Suyton's work resonates with themes of transformation and impermanence, echoing the poetic sensibilities of G.M. Hopkins. The pacing feels reflective, almost meditative, allowing one to feel the weight and beauty of the surroundings. The film presents a unique blend of practical effects and genuine performances, capturing an intimate look at art's engagement with place and identity. It's a distinctive piece that straddles the line between documentary and art film, making it an interesting watch for those who appreciate the intersection of visual art and cinema.

All That's Solid has been released in limited formats over the years, making it somewhat of a rarity. Its connection to the art world and the urban landscape makes it particularly appealing to collectors interested in niche documentaries. The film often gets overshadowed by more mainstream works, but its unique perspective on art and the environment is worth noting. As with many indie films from this era, finding a clean copy can be a challenge, but those that do acquire it often find that it opens up deeper conversations about art's role in society.