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Ancient Parts/Foreign Parts is this intriguing duo of films from Marjorie Keller, though some might not know her name. There’s a rawness in how she approaches family life, especially in the contrasting worlds of a boy and his mother, which feels both personal and detached. The pacing is contemplative, allowing the viewer to linger in the moments, while the in-camera editing gives it an almost dreamlike quality. The themes of connection and disconnection run deep, making it a fascinating watch. The practical effects are subtle but effective in conveying the emotional landscapes, and the performances have this understated yet powerful impact. It’s a unique piece that stands apart from more commercial dramas of its time.
This 1979 film is quite rare, often overshadowed by more mainstream titles from the era. It might not pop up frequently on collector lists, but those who appreciate the in-camera editing style and nuanced storytelling will find it a gem. Early releases may be tougher to find, and the distinctiveness of Keller's work garners interest from niche collectors focused on experimental cinema.
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