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And Who but I Should Be is a fascinating piece that captures a moment in time, blending music and dance in a way that's surprisingly intimate. The film centers around Joan, a go-go dancer, who is both the focal point and the embodiment of joy in performance. The manipulation by Jørgen Roos adds an intriguing layer, making you ponder the artifice behind the expression. The film's pacing is laid-back, almost hypnotic, allowing you to get lost in the rhythm of the dance and the vibe of the era. It’s not often you see such a raw portrayal of joy through movement, making it a curious snapshot of a specific cultural moment.
This film is somewhat obscure, not widely released on physical media, which adds to its appeal for collectors. There’s limited information available about its history, making any copies particularly sought after. The combination of music and dance, along with the unique perspective on performance art, keeps it in the conversations among niche film enthusiasts. If you come across a copy, it likely means it’s a rare find, as it hasn’t been the subject of much extensive re-release or discussion.
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