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Around Is Around is an intriguing piece from 1951, showcasing the experimental spirit of its time. The collaboration between McLaren and Lambart results in a film that dances between abstraction and the tangible, using early 3D animation techniques that feel both innovative and playful. The pacing is deliberate, allowing the viewer to get lost in the flowing shapes and colors, which seem to explore the very concept of space and dimension. It’s fascinating how they manipulate light and shadow, creating a visual language that's almost poetic in its simplicity. The atmosphere is dreamlike, prompting you to reflect rather than simply watch—a true hallmark of McLaren's work, with Lambart's nuanced touch making it all the more engaging.
Experimental 3D animation techniquesExplores themes of space and dimensionCollaboration between animation legends McLaren and Lambart
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