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So, Automation House is this intriguing piece from 1972 that spans about 32 minutes. It’s shot in black and white, and while the director isn’t noted, the film captures a surreal atmosphere that’s pretty captivating. The whole thing plays with spatial perception via mirror reflections, which creates an almost hypnotic effect on the viewer. You see people and their movements distorted and duplicated, and it makes you think about how we interact with our environments. It’s not your typical narrative-driven film—more of a visual exploration that feels experimental and engaging in its own right.
Automation House has a unique spot in the experimental film landscape, but it’s not something you see often in circulation. The 16 mm format adds a certain texture that complements the themes in interesting ways. Collectors may find it challenging to track down, but there’s definitely an audience for this type of avant-garde cinema. It’s a curious watch that sparks conversation about how form interacts with perception.
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