Baby Mine

About This Movie

So, Baby Mine is this interesting little comedy from 1917 featuring Madge Kennedy as a young bride. The plot spins out when her husband splits after a spat, and she concocts this scheme of pretending to have given birth to a baby to reel him back in. The humor is subtle, yet you can feel the tension building, especially when Morgan returns, insisting on seeing the nonexistent child. The performances have this charming sincerity that makes the whole farce feel engaging. It's not just the plot; it’s the way it plays with themes of love, misunderstanding, and social expectations of the time. The pacing, while a bit slow at moments, allows for some great comedic beats that stand out even today. It’s quite a find for collectors interested in early feminist themes in cinema.

This film has a bit of a scarcity factor, given its age and the limited release history. It’s often overlooked, which makes it a unique piece for collectors. There aren’t many prints floating around, and the quality varies, so if you come across a good copy, it’s worth considering. The comedic elements combined with the early 20th-century social commentary add layers of interest for those delving into silent cinema.