Back Inside Herself

About This Movie

Back Inside Herself is quite the intriguing piece, isn’t it? It’s a visual poem, really—a meditation on identity that draws heavily from S. Pearl’s poetry. The film pushes against conventional beauty standards, encouraging a personal reinvention of self, which feels pretty ahead of its time considering the era. Barbara-O’s performance carries a raw emotional weight, and the remix with Sharp and Dwight Trible adds a layer of auditory depth that enhances the visual experience. You can feel the layers of meaning ebb and flow over its brief runtime. The pacing is almost hypnotic, making it a unique find for those who appreciate experimental films that delve into feminist themes.

This film was released in 1984 and then re-emerged in 2009, which adds to its rarity. Finding an original copy can be a bit of a quest, as the director remains unknown and the details around it are sparse. The unique blend of poetry and visual art makes it particularly appealing to collectors who focus on niche, experimental cinema. Its exploration of identity and beauty standards has garnered a small but dedicated following among serious film enthusiasts.