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So, Believe It or Not #4 is kind of a curious artifact. It has this almost whimsical tone, as Ripley spins these bizarre tales. The pacing feels leisurely but fitting for the documentary style, allowing you to soak in these oddities without feeling rushed. I mean, who wouldn't be intrigued by a lady tattooing her husband's portrait on her tongue, right? The practical effects might not be anything to write home about, but the sheer strangeness of the stories makes it distinctive. You really get a glimpse into the eccentricity of the era, and Ripley’s delivery adds a layer of charm, albeit a bit dated. It’s a slice of history, really, capturing that unique intersection of curiosity and the bizarre.
Believe It or Not #4 is a fascinating piece for collectors, particularly due to its status in the Ripley series. It saw various formats over the years, but early prints remain relatively scarce. There's a niche interest in these oddity documentaries, with some collectors seeking to complete their sets or find unique screening copies, which can be a bit elusive. Overall, it's an interesting snapshot of an era and definitely worth considering for those drawn to the unusual.
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