Between Eleven and Midnight

About This Movie

So, there's this film, 'Between Eleven and Midnight,' from 1949 that's pretty intriguing. It's got that moody, atmospheric vibe typical of post-war crime dramas, and the story revolves around a trafficker named Jérôme Vidauban getting shot in a Paris tunnel. Inspector Carrel, who's basically Vidauban's doppelgänger, steps in to investigate. The pacing builds tension nicely, and there's something about the way the city is shot that really pulls you in. The performances are solid, and it has this almost surreal quality. What makes it distinctive is how it plays with identity and deception, keeping you guessing as Carrel navigates Vidauban's underworld. It's really a hidden gem in the crime genre.

The film 'Between Eleven and Midnight' remains relatively scarce, with few prints circulating among collectors. Its unique exploration of dual identities and moody Parisian settings has garnered a niche following. Interest in this film tends to stem from its obscure status and the fascination with post-war European cinema, making it a curious addition to any serious collection.