Bingo/Ninths

About This Movie

Bingo/Ninths is an intriguing piece from 1974 that captures a unique moment in the intersection of art and architecture. Matta-Clark's cutting technique here is compelling, as he divides the house's façade into nine sections, inviting viewers to ponder the impermanence of structures and the weight of urban decay. There's a haunting quality to the sounds of construction juxtaposed against the artist's pleas to delay demolition. It creates a tension that lingers, reflecting themes of loss and transformation. The pacing feels deliberate, almost meditative, allowing you to absorb the atmosphere of the space before it vanishes. It’s more than just a film; it’s an experience that lingers in the mind long after viewing.

Bingo/Ninths has a niche but dedicated following among collectors, particularly those interested in avant-garde and experimental cinema. Its scarcity is notable, with few copies circulating, making it a sought-after piece for those who appreciate the dialogue between art and architecture. This film's unique stylistic approach and thematic depth contribute to its appeal, ensuring that it holds a special place in any serious collection.