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So, Blackwater (2020) is this quirky little mix of genres. It’s a western, but not in the traditional sense. The whole film is shot on green screen, which gives it this surreal vibe, almost like you’re stepping into a bizarre digital landscape. The pacing is a bit off, which adds to its charm—there’s a certain awkwardness in the performances that feels genuine. It's about a man and his horse teaming up against a very mad cowboy seeking revenge. I guess the themes of friendship and vengeance are familiar, but the execution is what’s distinct here. You really feel like you're watching a kind of indie experiment in filmmaking rather than a polished final product. There's something about its 60-minute approach that leaves you wanting more or maybe just scratching your head. It’s a collector's curiosity for sure.
Blackwater holds a certain appeal for collectors interested in experimental cinema, particularly due to its use of green screen and 3D modeling. The film's unusual format—just 60 minutes long—adds to its scarcity, making it a curious piece for those who appreciate the offbeat. While it may not have mainstream recognition, its unconventional approach and odd tonal shifts make it an interesting discussion piece within the collector community.
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