Bérénice

About This Movie

Bérénice is an intriguing early work that showcases Rohmer’s unique vision, even if he isn’t fully credited as the director. The film’s focus on obsession—specifically with the protagonist’s fiancée’s teeth—creates an unsettling atmosphere. Shot on 16mm, it adds a raw texture that elevates the mystery and drama. Rivette’s touch in editing and shooting at Bazin's place gives it a certain indie charm. The pacing is deliberate, allowing tension to build in unexpected ways. It’s distinct in its exploration of desire, merging the domestic with the uncanny in a way that’s very much in line with Poe’s themes. The performances are understated, yet they linger with you, which is part of its appeal.

Bérénice holds a special place in film history as Rohmer's first finished piece, making it a notable find for collectors. Released initially in limited formats, its scarcity has grown over the years, leading to heightened interest among cinephiles. The film’s 16mm roots and the involvement of figures like Rivette and Bazin only add layers of significance, making it a fascinating exploration of early French cinema's experimental phase.