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So, 'Car seuls les nouveaux Dieux ont mordu la pomme de l'amour' is this intriguing documentary from 2011 that wraps up a 24-year project shot in Burzet, France. It's not your typical doc—it's this reflective journey through a now-abandoned landscape, filmed on silver stock, which gives it a kind of raw, textured feel that’s hard to replicate. The pacing is slow, almost meditative, allowing you to soak in the visuals and atmosphere. It’s about the passage of time and the remnants of passion now left behind. The absence of a known director adds a layer of mystery, making you wonder about the vision behind the lens. Quite distinctive in its approach, it feels like a farewell to a space and time long gone.
This film, being a documentary shot on silver film, offers a rare viewing experience that appeals to collectors drawn to unique formats. Its limited distribution and the mystery surrounding the director make it a noteworthy find. Though not widely known, its scarcity adds to its allure, particularly for those interested in the evolution of documentary filmmaking and the thematic depth it presents.
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