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Come December is this intimate dive into the psyche of someone grappling with mortality and identity, framed through the lens of a filmmaker who thinks he’s HIV positive. The tone walks a fine line between bleak and hopeful, capturing the rawness of living with a terminal illness amid societal stigmas. The pacing meanders, almost reflective of the protagonist's own journey, with moments that linger just long enough to let the weight of the subject sink in. What stands out are the candid performances; they feel genuine, almost documentary-like at times. It's distinct in how it sheds light not just on the disease but on the nuanced lives of gay men, their struggles, and the bonds they forge in such trying circumstances.
Come December is somewhat of an elusive title in film circles, with limited distribution and few physical copies floating around. Its thematic depth, combined with the raw performances, has garnered interest among niche collectors who appreciate films exploring marginalized experiences. As it stands, this film represents a unique snapshot of the mid-2000s indie scene, making it a point of interest for those focused on LGBTQ+ narratives in cinema.
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