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So, Complexe (1964) is one of those intriguing little pieces that really plays with the boundaries of what a film can be. It’s a short, experimental work by Nobuhiko Obayashi, and the editing is just wild, you know? It captures some of the essence of 60s avant-garde, using practical effects that feel really hands-on. The pacing is kind of erratic, but that’s part of its charm; it keeps you on your toes. There’s this playful yet surreal atmosphere that feels almost like a dream. It’s not about a linear story but more about creating a mood and exploring the medium itself. If you're into unique film techniques, this is definitely a curiosum.
Complexe has seen limited releases over the years, often hard to find in good condition. It’s one of those films collectors chase after for its uniqueness in the experimental genre. The scarcity is partly due to its short runtime and niche appeal, but it’s certainly gained traction among those who appreciate Obayashi's early work. It’s fascinating to see how this film fits into the broader context of 60s cinema experimentation.
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