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Conditio Humana is a fascinating slice of Friedl vom Gröller's work, and it has this almost meditative pace that draws you in. The interplay of the crumbling sandstone of Pavia’s Basilica with the performers' gazes creates a hauntingly reflective atmosphere. You can feel the weight of history in each frame, as if the building itself holds secrets. The performers don't just act; they embody something deeper, challenging the viewer to engage with the passing of time. It's one of those films that exists on the fringes, making it a unique treasure for collectors who appreciate its experimental edge and the way it plays with perception and presence.
Conditio Humana is intriguing for collectors as it represents a less conventional work from Friedl vom Gröller, whose films often slip under the radar. The 16mm format adds a tactile quality, emphasizing the textural details of the Basilica di San Michele Maggiore. As with many of his pieces, the scarcity of prints can make it a challenge to track down, heightening the interest for those who appreciate the nuances of film history and the artist's vision.
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