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Continu-discontinu is quite an intriguing piece, really. It’s this fascinating interplay of sound and visual artistry, you know? Piotr Kamler’s exploration of space, color, and movement feels almost like a dance of contrasts. The animation here is not just about the visuals; the way it syncs with Luc Ferrari and Iannis Xenakis' compositions creates a kind of immersive auditory experience. The pacing can be a bit meditative at times, which invites you to really delve deep into the layers of imagery. There’s a certain rawness to the practical effects that feels refreshing compared to the polished animations we often see today. It’s distinct in its ambition—blurring lines between avant-garde art and animation.
The film hasn't seen a wide release in various formats, which adds to its allure among collectors. Many early prints are hard to come by, and those who have copies tend to cherish them due to the film's unique aesthetic and historical context. Interest in experimental animation from this era continues to grow, making Continu-discontinu a noteworthy title for those building a diverse collection.
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