Cornered

About This Movie

So, 'Cornered' is quite an interesting piece. It's not your typical film, really. It unfolds across two screens in a corner, which creates a unique spatial dynamic that pulls you in. The footage of the 1965 Boston riots is presented in slow motion, which, paired with Barber’s haunting 'Adagio for Strings,' sets a somber, reflective tone. The whole installation feels more like a visual meditation on the chaos of protest and the struggle for desegregation rather than a narrative film. It's a stark commentary on societal division. The pacing is deliberate, almost hypnotic, and it invites you to linger on the emotions captured in those moments. The absence of dialogue emphasizes the weight of the visuals, making it distinctive in an art installation context.

'Cornered' remains somewhat elusive in collector circles, as it's less of a traditional film and more of an art installation. There's not a wide array of formats available, which adds to its scarcity and intrigue. Its focus on social themes and unique presentation makes it a niche interest among collectors, particularly those who appreciate experimental works. The limited recognition may contribute to its under-the-radar status, but that also means dedicated collectors might find it a hidden gem worthy of discussion.